理论研究

基于IIIF的图像数字叙事策略研究

  • 雷珏莹 ,
  • 王晓光 ,
  • 侯西龙
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  • 1. 武汉大学信息管理学院武汉 430072;
    2. 武汉大学文化遗产智能计算实验室武汉 430072;
    3. 曲阜师范大学传媒学院 日照 276826
雷珏莹,博士研究生;王晓光,教授,博士生导师

收稿日期: 2023-05-30

  修回日期: 2023-08-07

  网络出版日期: 2023-11-27

基金资助

本文系国家社会科学基金重大项目“文化遗产智慧数据资源建设与服务研究”(项目编号:21&ZD334)和国家社会科学基金青年项目“文化遗产图像资源关联数据集成与叙事化呈现研究”(项目编号:21CTQ041)研究成果之一

Research on the Strategies of Digital Storytelling of Image with IIIF

  • Lei Jueying ,
  • Wang Xiaoguang ,
  • Hou Xilong
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  • 1. School of Information Management, Wuhan University, Wuhan 430072;
    2. Intelligent Computing Laboratory for Cultural Heritage, Wuhan University, Wuhan 430072;
    3. School of Communication, Qufu Normal University, Rizhao 276826

Received date: 2023-05-30

  Revised date: 2023-08-07

  Online published: 2023-11-27

摘要

[目的/意义] 在图像互操作框架和数字技术的应用背景下,融合数字叙事理念对图像进行解读、阐释、组织与传播,成为人文领域和文化机构关注的重要议题。因此,对图像数字叙事的研究与分析有助于提升数字图像资源的价值挖掘和意义呈现。[方法/过程] 通过梳理数字叙事理论基础和相关研究,构建图像数字叙事的基本框架,从叙事素材、叙事结构、可视化呈现、用户交互方式4个维度对基于国际图像互操作框架的图像数字叙事样本案例进行编码分析,总结归纳图像数字叙事的结构与策略。[结果/结论] 分析发现,图像数字叙事策略以图像的视觉媒介为核心,围绕图像的解读与意义建构选择叙事结构和逻辑,并结合可视化呈现设计最终实现叙事目的。当前图像数字叙事策略以传统叙事逻辑融合数字呈现方式的形式为主,图像内容解读的数字叙事机制与模式仍有待强化。本研究为进一步探索图像型资源的数字发布和叙事性呈现提供一定的理念指导和方法支撑。

本文引用格式

雷珏莹 , 王晓光 , 侯西龙 . 基于IIIF的图像数字叙事策略研究[J]. 图书情报工作, 2023 , 67(21) : 25 -34 . DOI: 10.13266/j.issn.0252-3116.2023.21.003

Abstract

[Purpose/Significance] Under the background of international image interoperability framework and digital technology application, the interpretation, explanation, organization and dissemination of images by integrating digital narrative concepts has become an important issue in the field of humanities research and cultural institutions. Therefore, to research and analyze the digital storytelling of image is helpful to enhance the value and significance of digital image resources. [Method/Process] By reviewing the basic theories and related researches, this paper proposed the digital storytelling of image framework, and then coded and analyzed the sample cases from four dimensions: narrative material, narrative structure, visual presentation and user interaction. Finally, it summarized the structure and strategy of digital image storytelling. [Result/Conclusion] The digital storytelling strategy takes visual media of images as the core, and the narrative structure and logic are selected on the interpretation and meaning construction of images, and the visual presentation design is combined to achieve the final goal of digital storytelling. At present, the digital image storytelling strategy is mainly in the form of integrating traditional narrative logic with digital visualization, while the digital storytelling mechanism and mode of images interpretation still need to be strengthened. This paper provides conceptual guidance and methodological support for further exploration of digital publishing and digital storytelling for images resources.

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