[Purpose/Significance] Handicraft non-legacy is the most material intangible cultural heritage with unique research value. Effective excavation and presentation of handicraft intangible cultural heritage value by means of cultural gene theory and knowledge representation method is helpful to expand a new perspective of knowledge organization research on intangible cultural heritage resources, and explore a new mode of digital protection and creative application of intangible cultural heritage. [Process/Method] By applying knowledge ontology theory and technical methods, the expression framework of handicraft intangible cultural heritage knowledge was designed from the perspective of domain ontology and application ontology, and the ternary application ontology model of “object-process-gene” was specifically constructed. Moreover, Changsha Tongguan Kiln, a representative non-legacy handicraft, is used as an empirical study object to verify the validity and practicality of the ontological model. [Result/Conclusion] “Object-process-gene” ternary ontology model uses ontology knowledge representation technology to reveal the internal development law of handicraft intangible cultural heritage, providing structural and standardized elements for the teaching inheritance of traditional handicraft, the rescue protection of handicraft intangible cultural heritage, and the redesign and development of handicraft products.
Li Yong
,
Yang Simin
,
Guo Shangyao
,
Yi Li'na
. Ontological Knowledge Expression of Handicrafts Intangible Cultural Heritage from the Three-Dimensional Perspective of “Object-Craft-Gene”[J]. Library and Information Service, 2023
, 67(6)
: 137
-148
.
DOI: 10.13266/j.issn.0252-3116.2023.06.014
[1] 保护非物质文化遗产公约:第一章"总则"[EB/OL].[2023-01-10]. http://www.csfwzwhyc.com/news/?594.html.[2] 侯西龙,谈国新,庄文杰,等.基于关联数据的非物质文化遗产知识管理研究[J].中国图书馆学报, 2019, 45(2):88-108.[3] GUARINO N. Formal ontology, conceptual analysis and knowledge representation[J]. International journal of humancomputer studies, 1995, 43(5/6):625-640.[4] 滕春娥.社会记忆视角下非物质文化遗产建档保护研究[D].长春:吉林大学, 2019.[5] 谈国新,侯西龙,庄文杰.非物质文化遗产多媒体资源语义组织研究[J].图书馆学研究, 2017(24):42-52.[6] 李江瑶.基于元数据与本体的非遗传承人个人档案数字资源组织研究[D].西安:西北大学, 2021.[7] 侯西龙.非物质文化遗产视频资源语义组织研究[D].武汉:华中师范大学, 2018.[8] 朱学芳,王若宸.非遗图像语义信息本体构建及其关联数据存储和发布研究[J].现代情报, 2021, 41(6):54-63.[9] 王艺茹,史东辉.使用CIDOC CRM构建建筑领域非遗知识本体[J].计算机工程与应用, 2023, 59(3):317-326.[10] 陆柳杏,吴丹.面向藏族传统节日的汉藏双语本体构建[J].图书馆建设, 2022(1):67-74.[11] WANG F, WEI T, WANG J. Ontology-driven cultural heritage conservation:a case of the analects of confucius[J]. Applied sciences, 2022, 12(1):287.[12] ISA W M W, ZIN N A M, ROSDI F, et al. An ontological approach for creating a brassware craft knowledge base[J]. IEEE access, 2020(8):163434-163446.[13] PARTARAKIS N, KAPLANIDI D, DOULGERAKI P, et al. Representation and presentation of culinary tradition as cultural heritage[J]. Heritage, 2021, 4(2):612-640.[14] 赵传海.论文化基因及其社会功能[J].河南社会科学, 2008, 16(2):50-52.[15] 王东.中华文明的文化基因与现代传承(专题讨论)中华文明的五次辉煌与文化基因中的五大核心理念[J].河北学刊, 2003(5):130-134, 147.[16] 袁媛.文化基因视角下太原旧城区历史街区保护与更新研究[D].西安:西安建筑科技大学, 2013.[17] 张鎏,陈飞虎.基于梅山剪纸的梅山文化园旅游纪念品设计[J].包装工程, 2014, 35(6):94-98.[18] 练崇潮.传统陶瓷器物的民族文化基因及其当代价值[J].广西社会科学, 2021(9):170-175.[19] 张莉.楚雄彝族图案文化基因的解析与设计转化[J].美术大观, 2020(7):144-145.[20] 刘思雨.基于文化基因研究的"李小白"银壶产品设计[D].昆明:云南艺术学院, 2021.[21] 王星星.南方少数民族银器资源体系及基因要素图谱化方式探析[J].山东工艺美术学院学报, 2021(4):111-116.[22] 何春雨,滕春娥.非物质文化遗产知识本体构建——以赫哲族非遗资源为例[J].情报科学, 2021, 39(4):140-147, 156.[23] 柏贵喜,陈文苑.南方少数民族传统手工艺资源及其基因图谱编制设想[J].中南民族大学学报(人文社会科学版), 2017, 37(5):43-47.[24] 莱斯克.基因组学概论[M].薛庆中,胡松年,等译.北京:科学出版社, 2016.[25] 刘沛林.家园的景观与基因:传统聚落景观基因图谱的深层解读[M].北京:商务印书馆, 2014:102.[26] 柏贵喜.文化基因的类型及其识别原则——基于民族工艺文化的一种构说框架[J].中南民族大学学报(人文社会科学版), 2021, 41(6):57-64.
